About Me

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I grew up in one of the most beautiful places in the world: Dunedin, New Zealand. Surrounded by music in a family that loved and supported the arts, I began violin lessons at the age of 5 and soon knew that music would be my passion in life. After completing a Bachelor of Music at the University of Otago, I spent a wonderful year playing with the New Zealand Symphony Orchestra before completing a Master of Music at the University of Oregon. Soon after a return to New Zealand, I formed with three friends the Tasman String Quartet, with which I had the great fortune of travelling to the University of Colorado to study with one of the all-time greats; the Takács Quartet. For many years I had been drawn towards what I consider to be the extraordinary beauty of historically informed performance. Following my string quartet studies, I began a second Master's degree in Early Music at Indiana University. I am now living in Bloomington, enjoying the chance to play early music with wonderful groups in the area. Photo: © Steve Riskind

Monday, May 17, 2010

Venetian Fun

I'm chilling out in my hotel room in Auckland, NZ at the moment, halfway through a 6 day period of rehearsals for a concert tour with the Wallfisch Band, led by baroque violinist Elizabeth Wallfisch. After a couple more days, we head back to Wellington for the first performance, followed by a trip up the North Island back to Auckland, stopping for concerts in Napier and Hamilton along the way. It's been a fantastic experience so far, and the music is coming together fabulously. Elizabeth Wallfisch is an awesome director, with a perfect balance between bringing out the fun and spontaneity in the music, and kicking ass when needed, to make sure that everyone's playing in a unified way. She introduced 9am scale warm-ups for those who want to attend, so I went this morning and will be going again in the next couple of days. It's a nice way to warm the fingers up before 10am rehearsals, and a good chance to get some tips from the master herself as to how to get around the technique of playing the violin without chinrest or shoulder rest (though she does get around the problem a little by using a rolled up spongy device of some kind under the violin, held by a rubber band).

The programme features some great music by Locatelli and Vivaldi - a mixture of concerti for solo violin, two violins, two violins + two cellos, and four violins; and concerti grossi. The music is fantastic - I particularly love the Locatelli - one of his concerti features ridiculous pyrotechnics for the solo violin. You'd think he was just another shallow Paganini, but then he pulls out some amazingly beautiful and harmonically surprising slow movements, that are to die for. It's not particularly taxing music for those who are just playing the 'orchestra' parts, like me, but then again, the small size of the band means that we're all that much more exposed, so we have to all be individually on top of our parts - there are some moments where I'm the only one playing my part, which is cool. Maybe I'll pull out some ridiculous ornaments in the concert - haha, no one can stop me! Other than myself, of course, as it could potentially sound stupid...

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